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In 1986, 15-year-old Han Hong traveled to 11 arts and crafts troupes in Beijing to apply for examinations. Without exception, he was ruthlessly eliminated because of his appearance. He was lost, helpless, and ashamed.
At the lowest point of life, fortunately, a sister took her in, gave her shelter from the wind and rain, and gave her the opportunity to sing on stage.
At that time, in the mainland music scene in the primitive accumulation period, there was no emperor, and this sister, as the most eye-catching star of hope in the music scene at the time, seemed to have a superstar appearance.
This kindness is unforgettable. After becoming famous, Han Hong has invited this sister countless times to participate in her concert.
Feeling deep in her love, she knelt affectionately, and her uncontrollable respect made Na Ying stunned when she saw her as a guest.
This sister is Mao Amin who was on the 9th Spring Festival Gala, after the first day of Chinese pop music in the 80s and 90s.
Many people know that Mao Amin is from Shanghai, and their first impression of her is as the name suggests. They feel that there is a smoke in the alley.
In fact, Mao Amin, who was born in 1963, was not born in the city, and the remote suburbs where she landed can not give her the pride of Shanghai that everyone envy.
Fortunately, as a young daughter, her parents and two elder brothers love her very much.
A family of five squeezed into a 20-square-meter tube building, the most common worker family, after Mao Amin showed that kind of singing love and talent that is different from ordinary people, the family began to spare no effort to cultivate and cultivate.
I don't know if it was because of the deliberate depression and the frustration of the drama, Mao Amin's voice is particularly strange, it seems that there has never been a childish voice, and the vastness and maturity of the school's music teachers are very stunned.
With a special good voice, he was sent all the way to a key middle and high school, but when he applied for the conservatory of music, he was restricted by his household registration and was blocked forever.
The summer of 1981 was scorching hot, and the 18-year-old Mao Axin couldn't bear the heat. She sat in the back seat of her father's bicycle, wondering where to go.
The Chemical Industry Bureau wanted to conduct a cultural performance. The factory leader was struggling with the selection of candidates. Mao Amin boldly said "I can", and was immediately arrested and pretended to be a formal worker to sign up for the performance.
The black-and-white screens in the early 1980s were a popular projection of Japanese dramas. The broadcast of "Blood Suspicion" pushed this Japanese film and television wave to the top, and the theme song sung by the heroine Yamaguchi Baihui swept the country.
The cold beauty that Yamaguchi Baihui originally gave to the song was used by Mao Amin to precipitate a new calm temperament, which was shining in harmony with the main theme of the party. When the song ended, the audience was silent, and there was thunderous applause after a few seconds.
The heavy work and performance are fulfilling, but after the roar of the machines and the stage accompaniment dissipated, I felt less certain.
Once Mao Amin participated in an event and performed on the same stage with the China Railway Arts and Crafts Troupe. The then member of the group, Master Hou Yaowen, accidentally heard Mao Amin sing, and was shocked at how a thin little girl could sing so well.
He called Mao Amin, who had stepped down, to his side. First he joked that he would definitely be able to learn cross talk with him based on his singing skills. Then he suggested to Mao Amin to apply for a conservatory or art troupe with a serious face.
In 1985, he got his wish and was admitted to the Frontline Song and Dance Ensemble of the Nanjing Military Region. With his singing ability, he became a solo singer in the group when he first arrived.
In 1986, undertaking the good momentum, the album "Lost Girl" was released. The title song of the same name with Chu Liang's cry seemed to ask where the girl was going. The vigor and enthusiasm in the actual singing voice showed the surging confidence and gave a positive answer.
1986年，凭借良好的发展势头，发行了专辑《 Lost Girl》。楚亮哭泣的同名主打歌似乎在问那个女孩要去哪里。真实的歌声中充满活力和热情，显示出澎confidence的信心，并给出了肯定的答案。
In the same year, Mao Amin was selected by the song and dance troupe to participate in the National Youth Singing Competition. Although she was slightly immature, she only won the third place, but her performance fell in the eyes of music master Gu Jianfen and did not fall into conventional wisdom.
The love was eager, and Gu Jianfen took the initiative to call the Nanjing Military Region to bring Mao Amin. This time happened to be the first time that the Belgrade International Music Festival invited China to participate. Gu Jianfen, who was consulted by the Ministry of Culture, did not hesitate to help the person who was not a formal disciple at the time Mao Amin signed up.
A treasured piece of "The Love of Green Leaves to Roots", Mao Amin's voice touched the teacher's mind. From rehearsal to competition, every time he sang, Gu Jianfen's eyes were filled with tears and spilled to a foreign country.
It was another third place. She became the first Chinese singer to win an international music competition. The news broke that not only the music industry was a sensation, but many mainstream media front pages and even headlines rushed to celebrate and report.
Let Mao Amin evaluate her 24-year-old, she always likes to describe it as "lucky guy".
An adventure that ordinary people can hardly imagine, but an unforgettable opportunity, rushed to wave to her first.
Regarding the discussion of the Spring Festival Gala, the past selections of classic songs are always the most eye-catching. People who are interested have found that no matter how harsh the selection, "Missing" must be among them.
At the end of 1987, mentor Gu Jianfen and master Qiao Yu wrote Missing. Mao Amin sang it and was recommended by "Nobleman" Hou Yaowen to participate in the selection of the 1988 Spring Festival Gala.
Director Deng Zaijun was shocked by this and immediately called the Nanjing Military Region to invite a rehearsal. He treated Mao Amin like the most popular Hong Kong and Taiwan singer at that time, and taught her how to perform on the best CCTV stage in the country.
Even though Deng was in the army with great care, she never thought that she hadn't prepared a costume. When it came to the official performance, Mao Amin, who was embarrassed, was forced to go to a vegetable market and picked a cardigan with puff sleeves for 28 yuan. Spring Festival Gala.
Wearing a yellow cardigan with shoulder pads and matching the whimsical model steps, the tall and tall Mao Amin comes towards people’s pupils. The beautiful vibrato in the singing is a magic pen, and the colorful wings are painted like a butterfly flying into the soul. window.
On the flight back to Nanjing the next day, the passengers on the same plane looked sideways and even screamed her name. The admiration and enthusiasm cast in their eyes made Mao Amin feel the pleasure of "an overnight fame".
Once he became famous in the world, Mao Amin was the best for a time, his official career was promoted to the General Political Song and Dance Ensemble, and his business performances were filled with flowers wherever he went. Honors such as "No. 1 of China's Top Ten Singers" and "Audience Favorite Singer" Strikes, how can a word "shun" be achieved.
As a singer from Shanghai at the forefront of reform and opening up, she was born with Shanghai-style commercial consciousness, although this consciousness is still vague, it has already shown signs.
In order to explore the commercial film model, Mao Amin, in that conservative era, used the most famous female singer's halo, boldly appeared on the fringe taboo theme such as "Crazy Showgirl", and gave fans the passionate drama.
The catchy melody of "Little Railway Station" and "Red Rose" in the film, with simple and lively lyrics and music, combined with her deliberate and relaxed singing, is a good attempt by Mao Amin for commercial songs.
In terms of commercial performances, Mao Amin is even more unrelenting. The "China Music News" published a detailed list of singers' appearance fees, and she went all the way.
In 1989, a Harbin media published a report stating that Mao Amin's tax evasion incident caused an instant sensation across the country.
She was awakened from her dream, and she seemed to have no master. Although she had always had financial attempts and motivation, she had never thought of obtaining it illegally.
The blame is the lack of understanding of taxation, and too much trust in others, naive thinking that the verbal agreement with the organizer can make the other party abide by the tax payment package.
The incident of her boyfriend Chen Yong absconding with the performance model made the situation worse. She was repatriated to Nanjing, where she was first downgraded to two levels, and then sentenced to six months of confinement. Every day was spent in a small dark room for review and inspection.
Pouring rain, midnight, crying girl holding sleeping pills, fortunately her father rushed from Shanghai overnight with a foreboding, and stopped the tragedy with a quick knock on the door.
The raging rain and the turbulent waterlogging seemed to be still and roaring that night, quietly listening to the misery of the father and daughter.
The agent’s boyfriend abandoned her, swept away the only remaining Xiali cars and the remaining savings and belongings, and left the country as soon as he went abroad.
Write a letter to the singing and dance troupe, praying to participate in the performance, although the treatment is allowed to fall: living in the ruined tube building, to the most remote areas to sympathize with the performance, Tibet, Inner Mongolia, Xinjiang, repeatedly refused to accept the high fever and vomiting, still insisted on singing loudly.
Throw yourself into the dust, to experience the warmth and coldness of the world, the vicissitudes of life and the long life, instead of lamenting that the green years are gone, it is better to live to death.
In 1990, a series of "Desire" caused great repercussions inside and outside the Great Wall.
Tracing back to that era of social turmoil, traumatic art is like a sharp blade, revealing the scar that cannot bear to face it.
"The whole country mourns Liu Huifang, and everyone sighs Song Dacheng." The joys and sorrows of the characters in the play evoke the bitter memories of a generation.
Mao Amin, who was born in the 1960s, couldn't feel the vicissitudes of life, but the miserable fate made her feel that kind of suffering.
The prelude to the theme song sounded, all the ups and downs will come to my heart, the original warm voice has a long and desolate background, "Long time, I want to say that I was so confused at the time, who can tell me whether it is right or wrong", burst The intricate emotions make the eyes of the audience ruddy without knowing it.
"Desire", which can be called the peak of his artistic career, made Mao Amin regain the support of the audience. The unparalleled influence of the song allowed major audiovisual publishing houses to publish more than 30 versions of tapes overnight.
The miracle section of the return of the king has once again set off a frenzy in the industry. This time Mao Amin won not only the praise of the music industry, but also the favor of the film and television industry, so that thematic invitations have been stepped on.
After the filming of "The Story of the Editorial Department" created by Beijing TV, director Zhao Baogang called the name, but Mao Amin's ending song "Love Once in the Ground" was not available. When Feng Xiaogang, who was planning at the time, listened to her to come, he would definitely have to fill in the lyrics of the song.
The drama records the most active period of Chinese modern social thought. Serious reports and documents are poured on worldly matters and mortal matters, creating nonsensical contrasts and jokes. Ge You and Lv Liping teased the audience with irony.
The success of the song made Zhao Baogang firmly remember that this female singer was in stock. He hit the iron while the iron was hot and hurriedly brought in another drama "Imperial City Gener" at the same time, and let Mao Amin brew the first song.
The three-character and two-shot story strongly demonstrates the director's subjective consciousness and scrutiny, exploding the truth of the polite and respectful people in Beijing, blinding Jin Dan for women, jumping into the conspiracy and emotional vortex.
Just like the entanglement in "Life I", "What is love and what is hate, sadness is sometimes a touching song", a song of sadness and desolation, only Mao Amin can tell the grievances that have been unable to calm down for a long time.
The success of the urban drama test made the orthodox historical drama scriptwriters start to feel confident that Mao Amin was the representative they were looking for.
In the early 1990s, the historical mythological drama "Fengshen Bang" was broadcast. As the first film to be co-produced in water, the opening song "The Legend of God" appeared in two versions at the same time, sung by Mao Amin and Tan Alan respectively.
Jiang Ziya’s fairy tale bones; Da Ji’s fascinating soul, through Alan Tan’s ethereal singing, replaces the audience into the mysterious and ethereal ancient era.
Mao Amin's interpretation brought the majestic and majestic breath that was unique to the era, and the king was innocent; Ji Fa Zhengde violently collided in the magical war of Qishan in Fengming, adding to the magnificence of oriental magic.
"The historical sky shone with a few stars, and a heroic spirit is galloping across the world." A wave of righteousness and a sigh of emotion perfectly combine the history, humanities and singing qualities.
Everyone believes that this song of the rise and fall of the Wei, Shu and Wu, the setting of the heroes of the Three Kingdoms, is the pinnacle of historical songs since the founding of the People’s Republic of China.
"Shadow of the Fence" and "Living in vain" come from the rural dramas "Fence·Woman and Dog" and "Ancient Ship·Woman and Net" respectively. The same naming method gives the drama the same proposition and is called the Rural Destiny Three The second part.
Rather than defining the countryside, it is better to define a woman. The singing engraves the hardships and struggles of an ordinary rural woman.
And the most amazing thing is the comprehension of singing with love. Songs are like their people, and people are like their songs. Everyone thinks that Mao Amin will step into the altar and become the first person in Chinese music.
Shaw Shaw, the founder of Hong Kong film and television, personally took care to invite Mao Amin when he was preparing for the 25th anniversary of the radio station.
Jacky Cheung, Andy Lau, Liming, Anita Mui and other heavenly queens all performed as non-voting participants.
When the performance was in the early hours of the morning, the backstage was suddenly panic. A staff member hurriedly found Mao Amin and said to her: "Someone spends 1 million yuan to sing a song."
When Mao Amin came to the stage, the host Wang Mingquan excitedly introduced: "We have invited the most famous singer in China!"
Yes, Mao Amin stayed on the stage forever at the brightest time.
The classic "Mother in the Candlelight" was created by high school student Li Chunli based on his experience with his mother. Teacher Gu Jianfen liked it very much. He composed the music and sang it to Mao Amin.
Gu Jianfen remembered that when Mao Amin came to the stage to sing this song, he choked and couldn't help himself.
Although it can resonate with the artistic conception of the song, it was not until the death of his mother many years later that Mao Amin completely understood the song.
At that time, when he received the invitation of the Spring Festival Gala again, Mao Amin was at peace. She didn't use the song that had been sung for several years.
Instead, he uses a song "The Big Sky" to express my longing for my mother.
The applause rang out and paid tribute to Mao Amin on the stage.
The eyes of the Spring Festival Gala seem to have always been in love with Mao Amin. "It's All One Love", "Wind", and "Happiness", one by one, representing the most brilliant Spring Festival Gala era.
In appearance, Mao Amin is a tall, long body, big eyes and thick eyebrows, "Northern Xiang", not the exquisite southern woman.
As for personality, the graceful and extravagant actress often laughs unscrupulously, and her image quickly turns to "outrageous".
Living in Beijing all the year round, Shanghai woman Mao Amin has a sturdy vigor even if she speaks Wu dialect.
The impression of Shanghai host Cao Kefan: "She is a careless person, and she is not very clear about people. In her opinion, everyone is pretty good, but the result is very tired when'Ulimali' gets one."
It is not difficult to explain why Mao Amin suffered the second cold winter. No one thought that she would relapse in tax issues.
Mao Amin has been silent about this, and only one interview with Lu Yu reveals his innermost feelings: She is the most stringent on tax issues, but she is very kind. When others say, yes, yes, yes, and in the end, let people drill. Take a loop.
In 2000, she paid a fine of 810,000 yuan, and took the initiative to pay 570,000 yuan in tax on behalf of the organizer, and got the tax payment voucher to go home.
She said: "The moment the plane landed, I was very moved."
Marriage, childbirth, and life are all developing in the direction of returning to innocence. Mao Amin no longer puts all his energy on the recording stage. For her, husband and children are even more important than music in the second half of life.
Of course, he will not take the shelf of an "old artist" and sing "Lovesickness" with Mao Buyi. The sincerity of supporting the younger generation is quietly reflected in the calm down tone, just like the warmth to Han Hong.
Of course, I will sing "I love the blue sky of the motherland" for "Captain of China". The dreams and beliefs of a generation can still find a home in the singing.
Perhaps only when the music of "The Same Song" is played can we ring the name Mao Amin.
Don't forget, she has accompanied us for a long time.
Those years, with Mao Amin, turned out to be worthwhile.